However, how do you locate your product key? In order to obtain your authorization, you will need to enter this serial or product key during the software installation. This string of numbers may not appear as an important key, but it’s actually an identifier that is decoded by the software in order to very that your copy was purchased and is, therefore, legal. Therefore, this key is very vital if a person wants to install or, in some cases, reinstall their purchased utilities. Those serial numbers form a product key which works as a protection against unauthorized copying and installation. Due to this very reason, serial numbers are allotted to each software copy which a person can purchase. Obviously that trick isn't helpful if you don't have a digital paper trail of your Microsoft Office purchase, but it's worth the trouble if you might.Lazesoft Recovery Suite is a very easy to use ALL-IN-ONE boot disk that repair your crashed Windows, recover data from deleted, formatted, damaged partition, clone or backup disk, reset your forgotten Windows password.ĭownload | Order Now! Microsoft Office key finderĬommercial programs need to be protected in order to eliminate theft and fraud.
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![]() Now that we know what the purpose and components of an About Us page are, let’s talk about how to use an About Us page generator. How to Use a Shopify About Us Page Generator While the content generated might not be directly usable for your “About Us” page, it provides an excellent starting point for crafting compelling narratives. ![]() Frase.oi allows you to regenerate the content until you find the perfect fit for your needs. By simply entering your title, you can generate relevant content on the right-hand side of the tool. ![]() With Frase.oi, you can create listicle titles and generate content that aligns with your brand’s messaging. One such free tool we recommend is Frase.oi. Introducing Frase.oi: A Free Content Generation Tool It’s crucial to include testimonials on your About Us page to showcase that your brand is trustworthy and reliable. Testimonials: Customer testimonials are a great way to build trust with your audience.You can introduce your team members and tell their stories or highlight their skills and expertise. The Team: This section is your opportunity to showcase the people behind your brand.This could be your unique selling proposition, your mission, or your product/service features. What Sets You Apart: In this section, you should highlight what sets your brand apart from your competitors.It should be a compelling narrative that speaks to your brand values and mission. The Story Behind Your Brand: This section should tell the story of how your brand came to be.Here are some of the key sections to consider: There are several sections that you should include in your About Us page to create an engaging narrative that resonates with your audience. The Sections to Include in Your About Us Page It’s an opportunity to build trust, show credibility and give customers another reason to choose your brand over your competitors. It allows customers to know more about your story, what inspired you to start your business, and how your products or services can make a difference in their lives. The About Us page is where you can showcase your brand personality and connect with your audience on a more personal level. The Purpose of an About Us Pageīefore we dive into how to create an About Us page, let’s talk about the purpose of the page. In this blog post, we’ll show you how to use a Shopify About Us page generator to quickly create a page that resonates with your audience. Your About Us page should convey the right message to the customer in a way that is engaging and authentic. This is an extremely important page on your website, yet it’s one that is often overlooked. It’s the page where you can tell the story of your brand, where it came from, why you started, and what makes you special. Window = 'AOuZoY7oB4nJ5T_SMlCVoYgWBIboxzPhXA:1711922616662' _WidgetManager._Init('//_WidgetManager.Creating an About Us page for your website can be a daunting task. But if you have any question about free contact us page generator then you can tell in the comment box below or through my contact page.īut you may have a question, such a beautiful design is absolutely free, yes it is contact us generator for blogger absolutely free, but not for wordpress, free contact us page generator for all support HTML code website free. If you want to number four, you can give your Facebook URL, but your visitors can talk to you through Gmail and Facebook. In the first box, give the name of your website, in the second number, the specialty of your website, in the third number, give your contact Gmail address. For which you have to provide four information. Colorful and basic design.īut how do you fill the above form, contact us page html code for your website. The input design of the contact us page generator html code is given above. But contact us page generator free brings you many wonderful contact us page designs. But if you want to design more best labels with free contact us page generator html codes, you can do that too. ![]() Set "Enabled renderers" to all, disable "force default renderer" and set the "default renderer when detection fails" to Unknown Renderer.ĭo some more logs with those settings and I should be able to make more sense of what is happening. It is best to leave the detection to UMS as forcing it will make every device appear the same and is hard for me to see what is actually happening. ![]() These can be set in the General settings tab.0 When this is true, UMS will assume any renderer that connects is the # By default UMS tries to automatically detect what renderers try to connect # Force default renderer (disable automatic detection) Renderer_default =Amazon Fire TV Stick Vimu Player # Default: "", which means UMS will assume the "Unknown renderer". # UMS can recognize many renderers automatically. # Default renderer when automatic detection fails # used to specify all renderers in that group, e.g. ![]() ![]() Group names made of the first word in the renderer name can be Two special values exist, "All renderers" Step 5: Open the app and enter the login credentials that you created while buying the ExpressVPN subscription. Step 4: Click Download to install the ExpressVPN app on Fire TV / Stick. # A comma-separated list of renderer configurations to load by renderer name as It can output 5.1 Dolby digital and even Dolby Atmos with some of the Netflix content. Step 3: Now type Expressvpn (without quotes) in the search bar and select ExpressVPN when it shows up in the search results. Post new logs if this still does not work with it at default. The big difference between VLC and MX is that VLC can stream from an NFS or SMB share without needing to root the device. If it picks something completely wrong then I can help make a new conf for it. Try resetting this to default so UMS can chose what it thinks is right and see if that makes a difference. I'm not actually sure if this Firestick shown in the logs is actually your Firestick you want UMS to appear on. I see that it is on a wireless network which is expected on a laptop, but how close is it to the Firestick?Īnother thing I have noticed is that you have forced the detection of renderers to the Firestick but this may not be correct if it is using VLC or if there are any other renderers on your network. INFO 14:08:30.960 Renderer Amazon Fire TV Stick Vimu Player has an estimated network speed of 1.6706888557109845 Mb/s INFO 14:07:37.359 Renderer Amazon Fire TV Stick Vimu Player has an estimated network speed of NaN Mb/s INFO 14:07:31.716 Renderer Amazon Fire TV Stick Vimu Player has an estimated network speed of 0.5671805544842798 Mb/s I have not found these informations into the documentation.Code: Select all INFO 14:06:55.798 Renderer Amazon Fire TV Stick Vimu Player has an estimated network speed of NaN Mb/s Or that VLC for Fire TV does not function.Ĭan you help me to clarify these points ?Īnd to tell me how to get the right nf ?Īnd tell me how the right renderers configuration are associated with the right players (capabilities). This seems to say that Amazon Fire TV is not supported by UMS because there is no Config File available. The photo jpeg 5472x3648 (Canon EOS70D) cannot be displayed : sometimes displays an error (cannot be displayed on this device) sometime goes back to the icons after searching a while (15s). The video (.mov) 1080p are displayed with constant broken stream 1s visible for 5s loading (capacity of transmission + treatment seems like 1.5Mbit/s) I have several problems to solve, but here my question is about rendering with the Amazon Fire TV + VLC To send the stream to a TV Samsung UE40F6650 I have two ways installed :ġ- The smarthub of the TV which sees UMS by the ethernet connections (conf = nf).Ģ- Select a FreeBox Player (using entry selection HDMI1 viewed as nf) and the 'disk' function of the player which shows UMS serverģ- A Amazon Fire TV Basic edition (another entry HDMI3 - ) on which VLC Android is installed. Keep your library, playback progress, and watched. I try to build a local streaming for video, photo and audio using UMS. Stream high-quality video trailers for movies and TV shows seamlessly from within the app. If you are a procrastinator like me and wait till the yearly photo book to go through your pictures, you might appreciate the immediate satisfaction of a quick print and paste… it feels good to know that your beautiful memories won’t die on the iCloud! How to make your homemade camping journalįor mine I bought a journal that was 13 x 21 cm ( or 5.11 x 8. Guys, this thing is smaller than a wallet! That means we can take it with us camping, pick one or two of our favorite pics at the end of the night and print them right away before we forget or get overwhelmed much later! The basics are covered in this camping journal, and you can use the opposite page of your journal to add any additional info you like! Why a Sprocket Photo Printer (as opposed to using a print service or at home printer) I like a short and sweet prompt with some room to paste pictures as I like! There’s alot of really beautiful journals out there, but I tend to have the same opinion about them as I do my son’s baby book – there’s a whole lot of redundant questions to fill in, and I end up dreading filling it out! Out of this was born my DIY Camping/Travel Journal with a printable template! I also wanted to show you how I use my Sprocket photo printer to actually get my pictures I love printed and pasted in the journal the same day (even with no cell service!) Why a DIY Travel Camping Journal? Whether you use them for business, prayers, gratitude, daily tasks, reading for leisure, or even a diary for your mood, our journals give you a note-taking tool. I remember being so excited to pick them up from Costco! But atleast 10 of them were blurry, 5 of them has someone blinking or weird red eye, and then I was left with a couple of solid keepers!ĪNYWAYS – what if you had a small device that could print off pictures instantly onto a sticky piece of photo paper so that it was manageable to pick the few you like and document them right away in your journal?Īnd in that journal, you had a small prompt so you don’t go to write and then blank out? ’s Free Printable Journal Templates can easily help you come up with a journal to collect relevant information, ideas, thoughts, and observations into one handy notebook. I NEVER print them off because I get overwhelmed going through them whenever Shutterfly has it’s free 4×6 special! As much as I love the fact that we can take so many pictures with our digital cameras now a days, I sometimes think the simplicity of “getting what you get” from actual film cameras is kind of nice. ![]() I have 10,039 photos on my Iphone right now (I just looked!) and there are some pretty amazing memories in them, but here’s the thing. Have you ever fell in love with the idea of a travel journal of sorts, but never actually follow through or wonder what to write? Or maybe you looked at the vast amount of pictures from a recent camp trip, posted a few on social media, and were kind of sad that the rest sort of fade away into oblivion? So let’s get started with watching Live TV Channels Completely FREE with Kodi Live Tv Addonsįirst things first. Kodi is available for both Smart Phone and Android TV. But if you are using a Mobile Phone, like Android and Smart TV with Android OS, it becomes really hard to set up live TV. Working with VLC and Pot Player is awesome when you are on a PC. So here Pot Player is more like an alternative to the VLC media player. The reason being using pot player is because I did see some channels that did not work in Kodi and VLC, but worked awesome in Pot Player. I guess now you know why we use the VLC player. Stream online TV channels or even record Online TV shows. Basically to be frank we never knew the power of VLC. Why VLC Player is Required?Īs normal users, we have always underestimated VLC players. You can also try WinRAR or any decompression or compression application. These files come in a zip format or are compressed with a zip archive. We are going to download some zip files from Github. Setting Up Free 5000+ Live TV Channels Step by Step:įirst, we need to download a couple of these on our Desktop to get started, they are: ![]() The best part here is that Kodi, VLC, and POT Player are available on desktops, Laptops, Mobiles, Android, Apple Phones, and Android TV too. Our goal here is to load publicly available TV channels on Kodi VLC, and POT Player. Usually, these kinds of IPTV links are available for free and many are paid too. Many TV channels including Indian media give access to view their channels online via an IP or also called IPTV m3u8 format, we call this an IPTV. All you need is a really good internet speed and of course a PC, Tablet, or Android TV You don’t need any Setup box or Dish antenna to make this work. The concept here is to load publicly available TV channels via Kodi, VLC, and Pot Player. The actions taken by the industry have created a unique opportunity to fix the landfill gas method and, in the process, showcase how to put Australia’s carbon credit system back on the rails. If the market doesn’t have integrity it’ll crash, so the business itself will collapse with that We would forgo some short-term revenue for the opportunity to participate in a market that is more robust and has more credibility and that provides a future. John Falzon, chair of LMS Energy, is among those calling for a change to the way credits are calculated. But the industry’s statements this week have made their position untenable. The Clean Energy Regulator and the Emissions Reduction Assurance Committee deny any problems with the new landfill gas method. Taxpayers – and the environment – deserve betterīurning methane converts it into carbon dioxide, a less potent greenhouse gas. This assumption is not true, particularly at larger landfills.Īustralia’s central climate policy pays people to grow trees that already existed. They assume that, in the absence of carbon credits, landfills would only ever destroy what they are required to by law. The baselines should account for this fact, but they don’t. So even if they don’t receive carbon credits, the sites with generators will often destroy more methane than they are legally required to. They can then sell this electricity, as well as earn and sell renewable energy certificates. Using generators, they can harness the heat from burning methane to produce electricity. But the new landfill gas method extended the concessional arrangements, allowing the larger landfill projects to keep using their low baselines for another five years.Ĭarbon credits are not the only means through which large landfill sites can profit from destroying methane. These concessions were meant to expire around now. This was a product of a deal that allowed operators to use baselines that applied under older offset schemes. But most of the biggest landfill gas projects were allowed to use baselines below 30%, and roughly ten projects were given 0% baselines. In 2011-12, when the original landfill gas methods were being devised, the government and industry agreed on a default minimum baseline of 30%. This makes it hard to set baselines that accurately reflect the regulatory requirements. This is made challenging by the fact that the state regulatory conditions are often drafted in imprecise terms. To be conservative, the baseline proportion should at least represent what operators are legally required to destroy. So for example, if a project has a 30% baseline and destroys 100 tonnes of greenhouse gases, it will be credited only for 70 tonnes. This baseline is deducted when calculating carbon credits. ![]() The landfill methods seek to address this issue using something known as a “baseline”, which is a prescribed proportion of the methane combusted at landfill sites. These legal requirements mean not all carbon abatement at landfills is additional to what would have occurred anyway. That’s because they’re required to do this under state laws governing air pollution and safety. In the case of landfill gas projects, additionality problems arise because most landfills would destroy methane even without the incentive provided by carbon credits. It means that the carbon abatement for which companies receive credits must be additional to what would have happened otherwise, without the incentive provided by the scheme. Shutterstock What’s wrong with the new method?Ī key principle that underpins the integrity of carbon offset markets around the world is the concept of “additionality”. Methane can be collected from landfill sites, such as this example in the United States. Here's what a new federal government probe must fix We blew the whistle on Australia's central climate policy. The concerns about landfill projects centre on this method. These projects are registered under four separate methods, including one established late last year for projects that use methane to generate electricity. They account for almost 30% of carbon credits issued under the fund. More than 100 landfill projects currently claim carbon credits for destroying landfill gas. Earlier this year, my colleagues and I went public with details of serious integrity issues with the scheme, including landfill gas projects. ![]() ![]() I’m a former chair of the Emissions Reduction Assurance Committee, the government-appointed body that oversees the fund’s methods. The fund, which began operating in 2014, was the centrepiece of the Coalition government’s climate policy and will continue under Labor. These credits can be sold to the federal government or to private entities that are required, or voluntarily choose, to offset their emissions. Under the Emissions Reduction Fund, projects that reduce greenhouse gas emissions are granted carbon credits. Climate Change and Energy Minister Chris Bowen has ordered a review of the carbon credit system.
Since about the 70s, Arri cameras have dominated the 35mm industry, with only Panavision and their Mitchell based cameras as a rival.Ĭzechoslovakia produced a number of their own cameras to high standards through companies like Slechta and Cinephon, which found success across the world before WWII. Arnold and Richter (Arri) became quite successful in the post-war era, but studios often still used French and American cameras for some years. Germany had Geyer, Ernemann and Askania, but as mentioned earlier, these companies primarily made Pathe or Debrie copies for professional use, and were rarely used on their own important productions. Italy had Prevost, Donnelly and Ventimiglia, but never produced many of their own cameras and mainly used American, French, British and Czech studio cameras. Here’s a selection, mostly disregarding smaller firms or those that only made small gauge cameras:įrance had Pathe and Debrie and Eclair, as well as Aaton.īritain had Williamson, Moy, Darling, Newman Sinclair and Vinten, though like many other countries their studios mainly used French Debries and American Bell & Howells or Mitchell’s, until Rank made a Mitchell NC copy using the British firm Newall, which became something of an industry standard there in the post-war era. So we have Panavision, Mitchell, Bell & Howell from America, ARRI from (West) Germany, Aaron from France, and the few from Japan. ![]() One interesting design is the Soyuz-US3N which is seemingly a partial copy of the Cinema Products XR35 (same movement etc) but is self blimped and has different body design ![]() most of the Soviet cameras were just their own products like Konvas, Kinor, PSK, etc. ![]() I have seen some OCT19 modified Mitchells too so they seemingly used a limited amount of them as well. There was some other Eastern Block cameras available as well like the Meopta ERK (very rare camera, I have only seen one on eBay couple of years ago and nothing since). the Soviet lens coatings are by my opinion worse than the Western ones of the similar era and design and the chromatic aberration is different looking but these are just "part of their look" and are appreciated by most users ? Their lenses are somewhat based on the similar era Western lenses (for example the Foton 37-140 zoom based on the similar range Angenieux one and the Lomo primes somewhat similar optical design than Zeiss standard speeds in most models. they are not "copies of the western cameras" in that sense. most of the designs are loosely based on the Western design on the first model but then on the subsequent refinements their own design choices start to kick in and the later models are pretty unique designs. I suppose the Soviets did make their own cameras and lenses, though. In the early days, the cameras were predominantly French, before the American-made Bell and Howell 2709 became a studio standard, to be replaced during the 20s by the Mitchell. Even an advanced industrial nation like Germany, with a large and influential film industry, made precious few of their own cameras in the years up to WWII, and most of those were clones of French Debrie Parvos. The motion picture industry has always been a fairly niche market. There was more engagement with professional cinematography optics, with firms like Canon, Kowa, Keihan and Ichizuka Kogaku. I think most Japanese companies involved in photography or cinematography in the post war years concentrated more on the mass consumer market, creating many stills, 8mm and Super 8 movie cameras, but not so many 16mm ones and hardly anything in larger gauges. I don’t know how many were made, all the Japanese films I’ve looked into used standard cinematography cameras like Bell & Howells, Mitchells, Arriflexes and Panavision cameras, but it’s not always easy to get firm information on the technical equipment used. Like those, it uses C mount lenses, so there is very little room behind the mount. It was made by the Doi Ltd company.Įrkan Umut, who sometimes posts here, has a blog with some pictures of both the Doiflex and some Japanese 35mm Mitchell clones:Īccording to “Motion Picture Photography: A History”, the Mitchell clones were first made in the 50s by the old, established firm of Seiki Seisakusho, and were very important to the Japanese cinema industry. Though it looks externally like an Arri 16S clone, the movement is more like something from a Bell and Howell Filmo with a reg pin added, and the reflex viewing is achieved by a small angled mirror on a vertically reciprocating shuttle - like a mixture of Beaulieu’s guillotine mirror and Eclair ACL’s ‘wiper’ mirror. I’d be curious to check how well the reflex system works. I’ve never had one in front of me, but it seems like an interesting camera. Mirror reflex finder, strictly straight moving register pin You have the Doiflex 16, a professional camera in my eyes. ![]() ![]() "The Grand Wazoo" by Frank Zappa (1972)."Funky Mule" by Buddy Miles Express (1968)."I've Got the Skill" by Jackie Ross (US #89, 1964)."Egyptian Surf" by The Temptations (New York vocal group) (1963)." The Sheik of Araby" performed by the Beatles during their 1962 Decca audition, with George Harrison as the lead singer and Pete Best on the drums (this track can be found on Anthology 1)."Oriental Rock" by Bill Haley & His Comets (1958)."Ek Ladki Bheegi Bhaagi Si" from the motion picture Chalti Ka Naam Gaadi (1958)."Teenager's Mother (Are You Right?)" by Bill Haley & His Comets (1956)." Nellie the Elephant" by Ralph Butler (1956)."Native Dancer" by Abner Silver and Al Hoffman, recorded by Rusty Draper (1953)." Istanbul (Not Constantinople)" by The Four Lads (1953) and They Might Be Giants (1990)." Bonaparte's Retreat" by Pee Wee King (1949).This tune is quoted in Luther Billis' dance in "Honey Bun" from the musical South Pacific."Twilight in Turkey" by the Raymond Scott Quintette (1937)."Dinah" by Louis Armstrong scene in København, Kalundborg og - ? (1933)."Tight Like This" by Louis Armstrong and His Hot Five (1928).The "Little Egypt" segment of the World's Columbian Exposition scene in Show Boat (1927)."Strut Miss Lizzie" by Lucille Hagamin (1921)."Sweet Mamma (Papa's Getting Mad)" by Original Dixieland Jass Band (1920)."Scherzo for String Quartet" by Charles Ives (1904).It was performed by the "Matateh" troupe, under the name "נעמוד בתור / Na'amod Bator" ("we will stand in line"). In 1934, during the Purim festivities in Tel Aviv, the song received Hebrew lyrics jokingly referring to the Book of Esther and its characters (Ahasaurus, Vashti, Haman and Esther) written by Natan Alterman, Israel's foremost lyricist of the time.That short tune is used to invite an annoying person to move along, or at least to shut up. In Italy, the melody is often sung with the words "Te ne vai o no? Te ne vai sì o no?" ( "Are you leaving or not? Are you leaving, yes or no?").''Strut, Miss Lizzie'' by Creamer and Layton. ![]()
![]() ![]() It's been extensively detailed to look authentic, although the chrome valve covers are a bit of an upgrade that wasn't on the menu in '61. Few cars can rival the big 'Bird's road manners, making it an ideal choice for long road trips, particularly with the massive trunk that includes a full-sized spare tire, just in case.Ī 390 cubic inch V8 was the only choice in '61, and as far as we can tell, this is the car's original, numbers-matching powerplant. The wide center console has slick storage in the center and it neatly divides the front seat area into two symmetrical cockpits that are ultra-stylish, even today. ![]() The seats are firm and comfortable, and as Ford's top-of-the-line personal luxury car, this 'Bird is loaded with options like power windows and a power driver's seat. Other firsts for the '61 Thunderbird include the floating rear-view mirror, which may seem commonplace today, but this was the first time it was seen in public. The big news in '61 was the addition of the "swing away" steering wheel, which moves the wheel inboard when you pull the shifter handle towards you, making ingress and egress a snap. The upholstery is new, including seat covers, carpets, and door panels, all of which replicate the original stuff in an authentic way. The matching code 55 red interior gives this Bullet 'Bird a sophisticated look. There's just no angle from which this car doesn't look like a million bucks. The Thunderbird badges still have simulated turquoise inlays to tie it to its heritage, and the fender skirts make it look long, low, and sleek. All the trim was recently re-chromed, a pricey proposition for a car with this much brightwork, but you'll surely agree that the grille, bumpers, and particularly those side streaks on the rear quarters are what really make this car special. back in the day, going someplace glamorous. It shines up beautifully and has that classic early-60s look, making it easy to imagine this car on the streets of Miami or L.A. It's just gorgeous! OK, so the car was originally Raven black, but it was recently refinished in sizzling bright red that looks great on the sleek Thunderbird bodywork. These cars are suddenly seeing some big gains in the market and we have to admit that the practicality and beauty of the hardtop has really made this car grow on us. The Thunderbird badges still have simulated turquoise inlays to tie it to its heritage, and the fender skirts make it look long, low, and. Spectacularly restored all out of proportion to its value, it's one of the best hardtop 'Birds we've seen in years. If you're a fan, then this awesome 1961 Ford Thunderbird hardtop will certainly appeal to you. The Square 'Bird was out, and the Bullet 'Bird was born in 1961 and the Jet Age kicked into high gear. ![]() BEAUTIFUL T-BIRD! GREAT PAINT/CHROME, 390 W/ AUTO RUNS VERY SMOOTH, SUPER NICE! |
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