So let’s get started with watching Live TV Channels Completely FREE with Kodi Live Tv Addonsįirst things first. Kodi is available for both Smart Phone and Android TV. But if you are using a Mobile Phone, like Android and Smart TV with Android OS, it becomes really hard to set up live TV. Working with VLC and Pot Player is awesome when you are on a PC. So here Pot Player is more like an alternative to the VLC media player. The reason being using pot player is because I did see some channels that did not work in Kodi and VLC, but worked awesome in Pot Player. I guess now you know why we use the VLC player. Stream online TV channels or even record Online TV shows. Basically to be frank we never knew the power of VLC. Why VLC Player is Required?Īs normal users, we have always underestimated VLC players. You can also try WinRAR or any decompression or compression application. These files come in a zip format or are compressed with a zip archive. We are going to download some zip files from Github. Setting Up Free 5000+ Live TV Channels Step by Step:įirst, we need to download a couple of these on our Desktop to get started, they are: ![]() The best part here is that Kodi, VLC, and POT Player are available on desktops, Laptops, Mobiles, Android, Apple Phones, and Android TV too. Our goal here is to load publicly available TV channels on Kodi VLC, and POT Player. Usually, these kinds of IPTV links are available for free and many are paid too. Many TV channels including Indian media give access to view their channels online via an IP or also called IPTV m3u8 format, we call this an IPTV. All you need is a really good internet speed and of course a PC, Tablet, or Android TV You don’t need any Setup box or Dish antenna to make this work. The concept here is to load publicly available TV channels via Kodi, VLC, and Pot Player.
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The actions taken by the industry have created a unique opportunity to fix the landfill gas method and, in the process, showcase how to put Australia’s carbon credit system back on the rails. If the market doesn’t have integrity it’ll crash, so the business itself will collapse with that We would forgo some short-term revenue for the opportunity to participate in a market that is more robust and has more credibility and that provides a future. John Falzon, chair of LMS Energy, is among those calling for a change to the way credits are calculated. But the industry’s statements this week have made their position untenable. The Clean Energy Regulator and the Emissions Reduction Assurance Committee deny any problems with the new landfill gas method. Taxpayers – and the environment – deserve betterīurning methane converts it into carbon dioxide, a less potent greenhouse gas. This assumption is not true, particularly at larger landfills.Īustralia’s central climate policy pays people to grow trees that already existed. They assume that, in the absence of carbon credits, landfills would only ever destroy what they are required to by law. The baselines should account for this fact, but they don’t. So even if they don’t receive carbon credits, the sites with generators will often destroy more methane than they are legally required to. They can then sell this electricity, as well as earn and sell renewable energy certificates. Using generators, they can harness the heat from burning methane to produce electricity. But the new landfill gas method extended the concessional arrangements, allowing the larger landfill projects to keep using their low baselines for another five years.Ĭarbon credits are not the only means through which large landfill sites can profit from destroying methane. These concessions were meant to expire around now. This was a product of a deal that allowed operators to use baselines that applied under older offset schemes. But most of the biggest landfill gas projects were allowed to use baselines below 30%, and roughly ten projects were given 0% baselines. In 2011-12, when the original landfill gas methods were being devised, the government and industry agreed on a default minimum baseline of 30%. This makes it hard to set baselines that accurately reflect the regulatory requirements. This is made challenging by the fact that the state regulatory conditions are often drafted in imprecise terms. To be conservative, the baseline proportion should at least represent what operators are legally required to destroy. So for example, if a project has a 30% baseline and destroys 100 tonnes of greenhouse gases, it will be credited only for 70 tonnes. This baseline is deducted when calculating carbon credits. ![]() The landfill methods seek to address this issue using something known as a “baseline”, which is a prescribed proportion of the methane combusted at landfill sites. These legal requirements mean not all carbon abatement at landfills is additional to what would have occurred anyway. That’s because they’re required to do this under state laws governing air pollution and safety. In the case of landfill gas projects, additionality problems arise because most landfills would destroy methane even without the incentive provided by carbon credits. It means that the carbon abatement for which companies receive credits must be additional to what would have happened otherwise, without the incentive provided by the scheme. Shutterstock What’s wrong with the new method?Ī key principle that underpins the integrity of carbon offset markets around the world is the concept of “additionality”. Methane can be collected from landfill sites, such as this example in the United States. Here's what a new federal government probe must fix We blew the whistle on Australia's central climate policy. The concerns about landfill projects centre on this method. These projects are registered under four separate methods, including one established late last year for projects that use methane to generate electricity. They account for almost 30% of carbon credits issued under the fund. More than 100 landfill projects currently claim carbon credits for destroying landfill gas. Earlier this year, my colleagues and I went public with details of serious integrity issues with the scheme, including landfill gas projects. ![]() ![]() I’m a former chair of the Emissions Reduction Assurance Committee, the government-appointed body that oversees the fund’s methods. The fund, which began operating in 2014, was the centrepiece of the Coalition government’s climate policy and will continue under Labor. These credits can be sold to the federal government or to private entities that are required, or voluntarily choose, to offset their emissions. Under the Emissions Reduction Fund, projects that reduce greenhouse gas emissions are granted carbon credits. Climate Change and Energy Minister Chris Bowen has ordered a review of the carbon credit system.
Since about the 70s, Arri cameras have dominated the 35mm industry, with only Panavision and their Mitchell based cameras as a rival.Ĭzechoslovakia produced a number of their own cameras to high standards through companies like Slechta and Cinephon, which found success across the world before WWII. Arnold and Richter (Arri) became quite successful in the post-war era, but studios often still used French and American cameras for some years. Germany had Geyer, Ernemann and Askania, but as mentioned earlier, these companies primarily made Pathe or Debrie copies for professional use, and were rarely used on their own important productions. Italy had Prevost, Donnelly and Ventimiglia, but never produced many of their own cameras and mainly used American, French, British and Czech studio cameras. Here’s a selection, mostly disregarding smaller firms or those that only made small gauge cameras:įrance had Pathe and Debrie and Eclair, as well as Aaton.īritain had Williamson, Moy, Darling, Newman Sinclair and Vinten, though like many other countries their studios mainly used French Debries and American Bell & Howells or Mitchell’s, until Rank made a Mitchell NC copy using the British firm Newall, which became something of an industry standard there in the post-war era. So we have Panavision, Mitchell, Bell & Howell from America, ARRI from (West) Germany, Aaron from France, and the few from Japan. ![]() One interesting design is the Soyuz-US3N which is seemingly a partial copy of the Cinema Products XR35 (same movement etc) but is self blimped and has different body design ![]() most of the Soviet cameras were just their own products like Konvas, Kinor, PSK, etc. ![]() I have seen some OCT19 modified Mitchells too so they seemingly used a limited amount of them as well. There was some other Eastern Block cameras available as well like the Meopta ERK (very rare camera, I have only seen one on eBay couple of years ago and nothing since). the Soviet lens coatings are by my opinion worse than the Western ones of the similar era and design and the chromatic aberration is different looking but these are just "part of their look" and are appreciated by most users ? Their lenses are somewhat based on the similar era Western lenses (for example the Foton 37-140 zoom based on the similar range Angenieux one and the Lomo primes somewhat similar optical design than Zeiss standard speeds in most models. they are not "copies of the western cameras" in that sense. most of the designs are loosely based on the Western design on the first model but then on the subsequent refinements their own design choices start to kick in and the later models are pretty unique designs. I suppose the Soviets did make their own cameras and lenses, though. In the early days, the cameras were predominantly French, before the American-made Bell and Howell 2709 became a studio standard, to be replaced during the 20s by the Mitchell. Even an advanced industrial nation like Germany, with a large and influential film industry, made precious few of their own cameras in the years up to WWII, and most of those were clones of French Debrie Parvos. The motion picture industry has always been a fairly niche market. There was more engagement with professional cinematography optics, with firms like Canon, Kowa, Keihan and Ichizuka Kogaku. I think most Japanese companies involved in photography or cinematography in the post war years concentrated more on the mass consumer market, creating many stills, 8mm and Super 8 movie cameras, but not so many 16mm ones and hardly anything in larger gauges. I don’t know how many were made, all the Japanese films I’ve looked into used standard cinematography cameras like Bell & Howells, Mitchells, Arriflexes and Panavision cameras, but it’s not always easy to get firm information on the technical equipment used. Like those, it uses C mount lenses, so there is very little room behind the mount. It was made by the Doi Ltd company.Įrkan Umut, who sometimes posts here, has a blog with some pictures of both the Doiflex and some Japanese 35mm Mitchell clones:Īccording to “Motion Picture Photography: A History”, the Mitchell clones were first made in the 50s by the old, established firm of Seiki Seisakusho, and were very important to the Japanese cinema industry. Though it looks externally like an Arri 16S clone, the movement is more like something from a Bell and Howell Filmo with a reg pin added, and the reflex viewing is achieved by a small angled mirror on a vertically reciprocating shuttle - like a mixture of Beaulieu’s guillotine mirror and Eclair ACL’s ‘wiper’ mirror. I’d be curious to check how well the reflex system works. I’ve never had one in front of me, but it seems like an interesting camera. Mirror reflex finder, strictly straight moving register pin You have the Doiflex 16, a professional camera in my eyes. ![]() ![]() "The Grand Wazoo" by Frank Zappa (1972)."Funky Mule" by Buddy Miles Express (1968)."I've Got the Skill" by Jackie Ross (US #89, 1964)."Egyptian Surf" by The Temptations (New York vocal group) (1963)." The Sheik of Araby" performed by the Beatles during their 1962 Decca audition, with George Harrison as the lead singer and Pete Best on the drums (this track can be found on Anthology 1)."Oriental Rock" by Bill Haley & His Comets (1958)."Ek Ladki Bheegi Bhaagi Si" from the motion picture Chalti Ka Naam Gaadi (1958)."Teenager's Mother (Are You Right?)" by Bill Haley & His Comets (1956)." Nellie the Elephant" by Ralph Butler (1956)."Native Dancer" by Abner Silver and Al Hoffman, recorded by Rusty Draper (1953)." Istanbul (Not Constantinople)" by The Four Lads (1953) and They Might Be Giants (1990)." Bonaparte's Retreat" by Pee Wee King (1949).This tune is quoted in Luther Billis' dance in "Honey Bun" from the musical South Pacific."Twilight in Turkey" by the Raymond Scott Quintette (1937)."Dinah" by Louis Armstrong scene in København, Kalundborg og - ? (1933)."Tight Like This" by Louis Armstrong and His Hot Five (1928).The "Little Egypt" segment of the World's Columbian Exposition scene in Show Boat (1927)."Strut Miss Lizzie" by Lucille Hagamin (1921)."Sweet Mamma (Papa's Getting Mad)" by Original Dixieland Jass Band (1920)."Scherzo for String Quartet" by Charles Ives (1904).It was performed by the "Matateh" troupe, under the name "נעמוד בתור / Na'amod Bator" ("we will stand in line"). In 1934, during the Purim festivities in Tel Aviv, the song received Hebrew lyrics jokingly referring to the Book of Esther and its characters (Ahasaurus, Vashti, Haman and Esther) written by Natan Alterman, Israel's foremost lyricist of the time.That short tune is used to invite an annoying person to move along, or at least to shut up. In Italy, the melody is often sung with the words "Te ne vai o no? Te ne vai sì o no?" ( "Are you leaving or not? Are you leaving, yes or no?").''Strut, Miss Lizzie'' by Creamer and Layton. ![]()
![]() ![]() It's been extensively detailed to look authentic, although the chrome valve covers are a bit of an upgrade that wasn't on the menu in '61. Few cars can rival the big 'Bird's road manners, making it an ideal choice for long road trips, particularly with the massive trunk that includes a full-sized spare tire, just in case.Ī 390 cubic inch V8 was the only choice in '61, and as far as we can tell, this is the car's original, numbers-matching powerplant. The wide center console has slick storage in the center and it neatly divides the front seat area into two symmetrical cockpits that are ultra-stylish, even today. ![]() The seats are firm and comfortable, and as Ford's top-of-the-line personal luxury car, this 'Bird is loaded with options like power windows and a power driver's seat. Other firsts for the '61 Thunderbird include the floating rear-view mirror, which may seem commonplace today, but this was the first time it was seen in public. The big news in '61 was the addition of the "swing away" steering wheel, which moves the wheel inboard when you pull the shifter handle towards you, making ingress and egress a snap. The upholstery is new, including seat covers, carpets, and door panels, all of which replicate the original stuff in an authentic way. The matching code 55 red interior gives this Bullet 'Bird a sophisticated look. There's just no angle from which this car doesn't look like a million bucks. The Thunderbird badges still have simulated turquoise inlays to tie it to its heritage, and the fender skirts make it look long, low, and sleek. All the trim was recently re-chromed, a pricey proposition for a car with this much brightwork, but you'll surely agree that the grille, bumpers, and particularly those side streaks on the rear quarters are what really make this car special. back in the day, going someplace glamorous. It shines up beautifully and has that classic early-60s look, making it easy to imagine this car on the streets of Miami or L.A. It's just gorgeous! OK, so the car was originally Raven black, but it was recently refinished in sizzling bright red that looks great on the sleek Thunderbird bodywork. These cars are suddenly seeing some big gains in the market and we have to admit that the practicality and beauty of the hardtop has really made this car grow on us. The Thunderbird badges still have simulated turquoise inlays to tie it to its heritage, and the fender skirts make it look long, low, and. Spectacularly restored all out of proportion to its value, it's one of the best hardtop 'Birds we've seen in years. If you're a fan, then this awesome 1961 Ford Thunderbird hardtop will certainly appeal to you. The Square 'Bird was out, and the Bullet 'Bird was born in 1961 and the Jet Age kicked into high gear. ![]() BEAUTIFUL T-BIRD! GREAT PAINT/CHROME, 390 W/ AUTO RUNS VERY SMOOTH, SUPER NICE! ![]() Where the dates would be highlighted on the right and the highlight carried down the entire column starting from the top row 5 and where I have the flexibility to change the start/end dates on the left and that would change the highlight on the right. “Planned Dev Testing”, Start Date=2/15, End Date=2/20Īnd “Planned Prod Push”, Start Date=2/21, End Date=2/21 It will only highlight the date at the top of the spreadsheet but it won’t carry the highlight down the column to the end of the rows with tasks.įor example, I want to add start and end dates for I’ve tried reformulating a combo of the todays date highlight formula and the ‘’milestones’ formula that uses a flag symbol in the agile Gantt chart but I can’t get the formula quite right. ![]() Using the ‘Simple Gantt Chart by Vertex 52’ and I’m trying to figure out how to highlight certain dates that are in the ‘start’ ‘end’ columns on the left and have that highlight those specific dates on the right using conditional formatting similar to the pink box that appears around the columns for todays date to call out certain time points/milestones. They are identifiable with a special user flair.Ī community since MaAsking a question? Describe if you are using Excel (include version and operating system!), Google Sheets, or another spreadsheet application. Occasionally Microsoft developers will post or comment. ![]() Recent ClippyPoint Milestones !Ĭongratulations and thank you to these contributors Date Or use tableit, or the ExcelToReddit converter (thanks to u/tirlibibi17), to convert your data into a Reddit table. Provide some dataĪdd screenshots in your text post, or provide links to uploaded images at an image-hosting site. Tip: For VBA or Power Query, select the code, press Tab, then copy/paste the selection into your post or comment. The best way to display code on Reddit is to put it in a code-block Create a Gantt chart to present your data, schedule your project tasks, or track your progress in Excel. This awards the user a ClippyPoint and changes the post flair to solved. Learn how to create a Gantt chart in Excel. OPs may (and should) reply to any solutions saying: Solution Verified I want it to be automatically converted to a weekly display format based on the date range of each task. The start date can be started on any date, but I always start the date of the Gantt chart from the 1st of the start date. Only text posts are accepted you can have images in Text posts I currently have an excel template for Gantt charts with a detail per date display format.Use the appropriate flair for non-questions.Post titles must be specific to your problem.ENGAGE Smartsheet ENGAGE brings together our global customers, experts, and partners to share their experiences, ideas, and best practices.Smartsheet events Your hub for Smartsheet events, webinars, Q&As, and user groups. ![]() Partners Learn about the Smartsheet partner program and access our partner directory.Community Explore user-generated content and stay updated on our latest product features.Help and Learning A comprehensive knowledge base, including articles, tutorials, videos, and other resources that cover a range of topics related to using Smartsheet.Content Center Articles and guides about project management, collaboration, automation, and other topics to help you make the most of the Smartsheet platform. ![]() (Unicorns don’t exist, but they still have a name. Oh - I also promised a discussion of two-sided polygons, didn’t I? Most people think they don’t exist, so they don’t need to be named.
![]() ![]() ![]() All characters in this publication are fictitious and any resemblance to real persons, living or dead, is purely coincidental. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means without the prior written permission of the publisher, nor be otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition being imposed on the subsequent purchaser. First published in Great Britain in 2002 by Hodder and Stoughton A division of Hodder Headline 1 3 5 7 9 10 8 6 4 2 All rights reserved. NON-FICTION: On Writing (A Memoir of the Craft)Ĭopyright © 2002 by Stephen King The right of Stephen King to be identified as the Author of the Work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. By Stephen King and published by Hodder & StoughtonįICTION: Carrie 'Salem's Lot The Shining Night Shift The Stand Christine The Talisman (with Peter Straub) Pet Sematary It Misery The Tommy knockers The Dark Half Four Past Midnight Needful Things Gerald's Game Dolores Claiborne Nightmares and Dreamscapes Insomnia Rose Madder Desperation The Dark Tower I: The Gunslinger The Dark Tower II: The Drawing of the Three The Dark Tower III: The Waste Lands The Dark Tower IV: Wizard and Glass Bag of Bones The Girl Who Loved Tom Gordon Hearts in Atlantis Dreamcatcher By Stephen King as Richard Bachman Thinner The Bachman Books The Regulators ![]() If caught, they may face consequences from their school or workplace, impacting their future opportunities. Beyond the legal consequences, using a fake ID can also damage an individual’s reputation and credibility. This could have significant implications for an individual’s ability to drive and could hinder their ability to find employment or insurance. ![]() For instance, many states have strict laws regarding fake IDs and driver’s license s, which could result in the revocation of your actual driver’s license. Moreover, depending on the state, there may be long-term consequences that go beyond the initial legal repercussions. Not only does this put the individual at risk for a criminal record, but it could also lead to fines, probation, and even jail time. These charges could range from misdemeanor offenses to felony charges depending on the severity of the situation. First and foremost, it is important to recognize that using a fake ID is illegal and could result in criminal charges. However, the consequences of using a fake ID can have a lasting impact on an individual’s life. Using a fake ID or driver’s license may seem like a harmless way to gain access to restricted places or to purchase alcohol underage. Fake ID or Fake drivers license front and back The potential consequences of using a fake ID or drivers licenseįake ID or Fake drivers license. Thus, it is crucial for society to address the prevalence of fake IDs and driver’s licenses and take necessary measures to prevent their use. Additionally, the use of fake IDs can also create opportunities for criminals to steal identities or commit fraud. This prevalence of fake IDs poses a serious threat to public safety as it allows underage individuals to engage in risky and often illegal activities. ![]() The quality and sophistication of fake IDs have also improved, making it difficult for businesses and law enforcement to detect them. The ease of access to technology and the internet has made it even easier for individuals to obtain these fake IDs, without having to physically meet with a forger. Individuals of all ages use fake IDs for various purposes, such as purchasing alcohol, gambling, or obtaining employment. However, the use of fake IDs is not limited to young adults. Many young adults feel pressure to have a fake ID in order to participate in activities reserved for those of legal age, while others use them as a means to gain entry into clubs and bars. With the rise of underage drinking, illegal drug use, and identity theft, the demand for fake IDs has increased significantly. The use of fake IDs and driver’s licenses has become a prevalent issue in today’s society. |
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